Thursday, March 29, 2012

Tuesday, March 27, 2012

LOUISIANA WALK

From the funkiest of the funky, J. R. Fulbright’s Elko label, here’s Phillip Walker’s first record, the steamy 1959 instrumental, “Louisiana Walk.”


Phillip Walker Band • Louisiana Walk • 1959



Saturday, March 24, 2012

She’s the little girl for me


She’s The Little Girl For Me – Junior Brooks – 1951




Junior Brooks, vocal, guitar; Elmon Mickle (Drifting Slim), harmonica; Baby Face Turner, guitar; Bill Russell, drums.

Friday, March 23, 2012

Somewhere between your heart and mine


Somewhere Between – Merle Haggard & The Strangers – 1967

Thursday, March 22, 2012

Buzz me, baby


Buzz Me – Sippie Wallace
with Albert Ammons & His Rhythm Kings – 1945

Tuesday, March 20, 2012

Smokes Like Lightnin’


Smokes Like Lightnin’ – Clarence Edwards – 1959



LP sleeve courtesy The Sweedeedee Archives.

Sunday, March 18, 2012

Saturday, March 17, 2012

Gotta moan sometimes

I can still remember the day Paul Johnson played this early Swan Silvertones record for me. I could not even believe what I was hearing . . . this was way beyond what gospel quartet singing I’d heard up to that point, groups like the Sam Cooke edition of the Soul Stirrers and the Dixie Hummingbirds, even the ’60s Vee-Jay recordings of the Swans. But this! That slammin’ rhythm with Claude Jeter and the Swans all over it as rubber-voiced Rev. Robert Crenshaw breaks in and wrestles it to the ground. I read years later that Crenshaw was asked to leave the group because of his tendency to take over territories claimed and unclaimed. . . .

(Claude Jeter, Rev. Robert Crenshaw, John Manson (tenors); Paul Owens, John Myles (baritones); Henry Bossard (bass); unknown drums.)


Trouble In My Way – The Swan Silvertone Singers – 1953


Photo: The Swan Silvertones in 1965. Top row, left to right: Louis Johnson, William Connor, Paul Owens. Bottom row, left to right: Linwood Hargrove, Claude Jeter, John Myles. From The Gospel Sound by Tony Heilbut, Simon and Schuster, 1971.

Friday, March 16, 2012

Unchained . . . melody

Here’s the theme “melody” for the 1955 prison drama Unchained, shot on location at Chino and starring football great Elroy “Crazylegs” Hirsch and Barbara Hale (Della Street of Perry Mason fame). The version heard here by Les Baxter charted highest of many competing versions at the time; through the years there have been hundreds of cover versions of “Unchained Melody,” notably by Al Hibbler in 1955 and ten years later by the Righteous Brothers. The playlist below includes five of our favorites, including the Wailers’ cover of the Righteous Brothers’ cover.



Monday, March 12, 2012

HAME PILA-LA


 Lani McIntire & His Orchestra • Hame Pila • 1937
“Vocal chorus by Lani, George and Bob”


Sunday, March 11, 2012

Drifting, shifting Texas sand


Texas Sand – The Tune Wranglers – 1936



Buster Coward, guitar, lead vocal; Tom Dickey, fiddle; Eddie Whitley, piano; Red Brown, banjo, vocal; Curley Williams, string bass, vocal.

Friday, March 09, 2012

Love is a burnin’ thing


(Love’s) Ring of Fire – Anita Carter – 1962

Thursday, March 08, 2012

Saeta

This Holy Week saeta, recorded on the streets of Seville in 1950, was heard by Miles Davis and his arranger Gil Evans on the Spain volume of The Columbia World Library of Folk and Primitive Music and adapted by them while they were working on Miles’ 1960 album Sketches of Spain.

“The saete, in flamencan music, is ‘the arrow song.’ One of the oldest religious types of music in Andalusia, it is usually sung without accompaniment during the Holy Week procession in Seville. It tells of the Passion of Christ and is usually addressed to the image of the crucified Christ that is carried in the march or to the Virgin Mary. As described by Gilbert Chase, ‘The singer, usually a woman, stands on a balcony overlooking the procession, grasping the iron railing firmly in both hands (the grip tightens as the emotion grows). The procession stops so that the image which is being addressed remains stationary while the saeta is being sung. A fanfare of trumpets gives the signal for the procession, to move on.’”  (from Nat Hentoff’s liner notes to Sketches of Spain.)


Monday, March 05, 2012

I looked toward the rising sun


Mă uitai spre răsărit (I Looked Toward The Rising Sun)
Maria Lătăretu – c.1955-1958

Sunday, March 04, 2012

Earth has no sorrow. . .


Come Ye Disconsolate
The Dixie Hummingbirds – 1964
(Ira Tucker, lead)




JMB 1920–2012

Saturday, March 03, 2012

Blues in the bottle

During the sixties folky revival there were certain songs you’d hear a lot . . . . “Hesitation Blues” and “Blues in the Bottle” were a couple of them. Both went way back, “Hesitation Blues” to W. C. Handy but probably heard by most in a version by Charlie Poole & The North Carolina Ramblers. “Blues in the Bottle” begins (on record at least) with fiddler Prince Albert Hunt (the Alfalfa/Alfred E. Neuman-looking character pictured below right). Here’s his 1928 original followed by the Holy Modal Rounders’ 1964 take replete with new lyrics befitting the times. Both versions feature non-standard pronunciations of “Chattanooga.” Prince Albert Hunt made it to 1931 and the age of 30 before being murdered by a jealous husband. Pete Stampfel and Steve Weber of the Rounders are still with us and surface from time to time.


Friday, March 02, 2012

Gonna chase me a rainbow


Gonna Find Me A Bluebird
Porter Wagoner & Skeeter Davis – 1962

Thursday, March 01, 2012

There won’t be anymore


There Won’t Be Anymore – Charlie Rich – 1965