Tuesday, January 31, 2012

Drinkin’ gin and you can’t come in


Keep A Knockin’ (unissued take 4)
Little Richard – 1957

Saturday, January 28, 2012

From Terraplane to Dynaflow


Dynaflow Blues – The Johnny Shines Blues Band – 1966

Thursday, January 26, 2012

You’re from Oke-She-Moke-She-Pop


Oke-She-Moke-She-Pop
Joe Turner & His Blues Kings – 1953



The Blues Kings including, in this case, Elmore James on guitar and Little Johnny Jones on piano.
Two other songs from this session (10-7-1953) are “Ti-Ri-Lee” and the great “TV Mama,” the flip 
of today’s song.

Wednesday, January 25, 2012

Two Ton Tessie from Nashville, Tennessee


Two Ton Tessie – Ray Charles – 1964



Note: Not on the original 1964 LP, but available on the 2011 CD reissue.

Monday, January 23, 2012

Sunday, January 22, 2012

Thursday, January 19, 2012

R.I.P. Johnny Otis, 1921–2012


Ma (He’s Makin’ Eyes At Me) – The Johnny Otis Show
with Marie Adams & The Three Tons of Joy – 1957

Wednesday, January 18, 2012

Poor boy, long way from home


Poor Boy Long Way From Home – Bukka White – 1963

Tuesday, January 17, 2012

Please write my mother

Even with Willie Dixon’s goofy narration, which Wolf reportedly refused to do himself, this is still one of Howlin’ Wolf’s heaviest recordings.


Going Down Slow – Howlin’ Wolf – 1962

Monday, January 16, 2012

If that’s what it takes to be hip


I Don’t Want You Cuttin’ Off Your Hair
B. B. King – 1967

Friday, January 13, 2012

Prodigal Son, part one

Here’s the pre-COGIC version, so to speak, of “The Prodigal Son,” posted here last month.


That’s No Way To Get Along – Robert Wilkins – 1929

Thursday, January 12, 2012

Listen to my heart go bompity bomp


I Need You Baby (a.k.a. Mona) – Bo Diddley – 1957

Wednesday, January 11, 2012

SURF MUSIC?

In the early 60s a bunch of us from the block used to gather in the living room at my parents’ house and watch the five-minute 8mm movies that Surfer magazine used to sell, little excerpts from John Severson’s surf films, classic early hotdogging from California, big surf in Hawai‘i, etc., along with whatever 8mm stuff some of us were shooting at the time. Everybody would bring their 45s, I would pull out my little portable toy record player, we’d set up a screen and a projector, one of us would play DJ, and we’d all watch in awe while our version of surf music soundtracked the proceedings: Dave Brubeck Quartet’s “Take Five” (“Blue Rondo A La Turk” was on the flip); Part I of “What’d I Say” by Ray Charles (not only a classic surf tune with that great electric piano, but also a jumping off point for dirty added-on junior high school lyrics), never mind that it was mostly a vocal, that long piano intro more than made up for it; “Walk—Don’t Run” by the Ventures was always a safe bet (and later, anything off their first three albums would also do just fine); and the toughest of them all, several instrumentals by The Fireballs, from Raton, New Mexico of all places: “Bulldog,” “Vaquero,” and “Torquay” (we thought Torquay was a Spanish word when it was really the name of an English seaside town!) were all great, “Bulldog” being the musical equivalent, for me, of the small wave hot dog maneuvers of Dewey Weber, Phil Edwards, Mickey Dora, and other top surfers of the day. There was also “Harlem Nocturne,” an old standard that was given the noir treatment by The Viscounts; it came out in 1959, hit, and then was rereleased in 1965 and hit again; a really great, spooky tune. Here, then, is the 1959 version of “Torquay.”


Fireballs • Torquay • 1959

click on song title to play


Text excerpted from The Surfer’s Journal, Vol. 20, No. 2, 2011.
Photo: Phil Edwards, Oceanside, 1965. Copyright © 2012 by Brad Barrett. All rights reserved.

Tuesday, January 10, 2012

Cajun Classics

About a million years ago I stumbled across the LP pictured, probably at Folk Arts, and it quickly became one of my favorites, twelve tracks of 50s–60s Cajun honky tonk by some of the artists Jay Miller was recording at the time: Nathan Abshire, Aldus Roger, Robert Bertrand, Louis Alleman, and the Clément Brothers. The Clément sides quickly became my favorites, even though an acquaintance at the time poo-pooed them, saying they weren’t real Cajun music, they were Cajunized rock’n’roll. Whatever. They’re still my favorites from the album, especially “La Valse De Te Maurice.” Terry Clément plays accordion, his brother Purvis plays fiddle and takes the vocals, and everybody sounds like they’re having a blast.



Thanks to Lyle Ferbrache for album cover pic and “Sugar Bee.”

Saturday, January 07, 2012

Lights Out


Lights Out – Little Walter & His Jukes – 1953

Friday, January 06, 2012

Whoaohh! Somebody help me!


Pharaoh-A-Go Go – Sam The Sham & The Pharaohs – 1966

Thursday, January 05, 2012

Wednesday, January 04, 2012

A Life of Sorrow


A Life Of Sorrow – The Stanley Brothers – 1952

Tuesday, January 03, 2012

Love, oh love, oh careless love


Careless Love – Ray Charles – 1962

Monday, January 02, 2012

Sunday, January 01, 2012

MERRY CHRISTMAS, BABY . . .
I WISH YOU A HAPPY NEW YEAR


Poppa Hop & His Orchestra • Merry Christmas, Darling • 1961


Hop Wilson, vocal/steel guitar; Elmore Nixon, piano; Ivory Lee Semien, drums. Houston, 7 November 1961